LA Newspaper Readers' Feedback: LACMA Transformation Warrants More Recognition Than LA Times Acknowledges
In the heart of Los Angeles, the Los Angeles County Museum of Art (LACMA) has been undergoing a remarkable transformation under the leadership of Michael Govan. Known for his ambitious and visionary approach, Govan has been at the helm of LACMA since 2006, steering the institution towards becoming a multidisciplinary cultural powerhouse [1].
Recently, LACMA unveiled the David Geffen Galleries, a 347,500-square-foot structure that promises to blend diverse art forms into a "promenade of discovery" [1]. The new addition, sleek and imposing, has been described as everything from appealing to jarring, monotonous to absurd [2].
The construction of the David Geffen Galleries took place amidst unique challenges. Built during a pandemic, the project was carried out with the necessary precautions, attracting thousands of Southern California residents for a sneak peek over three days [3]. Despite the criticism from some quarters, such as art critic Christopher Knight, the delays and staff adjustments during the construction are generally viewed as part of the museum's growth process [3].
Knight's criticism of the David Geffen Galleries is not limited to its design. He criticises the "non-hierarchical" layout, finding the limitless concrete monotonous [2]. However, Knight also sees the potential for the David Geffen Galleries to be a popular attraction, much like LACMA has been for years and will continue to be [2].
The transformation of LACMA under Govan's leadership has not gone unnoticed. The 20-acre campus has been transformed into an art and culture oasis, featuring initiatives like Jeff Koons's monumental "Split-Rocker" sculpture and promoting outdoor public art as part of the museum's expansion [4]. Govan's emphasis on inclusivity and innovation is evident in these initiatives, which aim to engage visitors and enhance their museum experience.
However, not everyone shares the same view. Knight expresses concern about LACMA's transformation into a tourist destination, fearing it may dilute the museum's focus on art [5]. Yet, Govan and the LACMA team do not see this as a negative development. They believe that by making the museum more accessible and appealing to a wider audience, they are fostering a greater appreciation for art and culture [5].
The David Geffen Galleries project is estimated to have cost $720 million, but sources claim the actual cost is closer to $835 million [6]. Despite the high cost, the project is a testament to Govan's vision and ambition, and it is hoped that it will continue to attract visitors and inspire a love for art and culture in Los Angeles and beyond.
- The David Geffen Galleries at LACMA, despite receiving mixed opinions, is seen as a key step in Govan's vision to transform the museum into a multidisciplinary cultural powerhouse, offering entertainment, art, and lifestyle experiences.
- The home-and-garden section of LACMA has not been overlooked in Govan's redesign, with the addition of Jeff Koons's "Split-Rocker" sculpture, demonstrating the museum's commitment to blending diverse art forms and enriching the cultural landscape of California.
- The construction of the David Geffen Galleries, despite facing criticism and unexpected costs, has been a significant contributing factor to the museum's ability to attract a broader audience, promoting cultural appreciation and fostering a more inclusive lifestyle in Los Angeles and beyond.
